In order to capture all of the overtones in the guitars, genres like metal tend to be bright and airy with a powerful bottom-end. We’ll apply compression later on, so it’s important that you have some dynamic range to spare going in.Įach sub-genre of rock music has its own sound, which can make it difficult to rely on presets when mixing different genres. ![]() Use the DYNAMIC RANGE meter to make sure your mix isn’t squashed. You can also use the MONO button at the top of the meter to monitor your track in mono and hear the differences for yourself.Īnother common issue with rock music is over-compression. LEVELS makes it easy to quickly check for phase issues using the phase correlation meter in the Stereo Field section. If any microphone is off by even a few centimeters, it can cause timing issues that make your mix sound dull and muddy. Especially with rock music, it’s common to see phase problems due to the heavy use of multi-mic recording techniques. The Trinity Display shows you how your tonal balance, punch, and stereo width compared to your reference track, guiding you on the changes needed to sound more like your target.īefore getting too far into the process, it’s important to check your mix for technical issues. Use the Trinity Display (the readout at the bottom) in REFERENCE to identify where your mix needs tweaking. Then make notes of what to change in your mix to sound more like the references. Listen closely to the frequency balance, compression, and stereo width of each track. Just drag and drop a few of your favorite songs into the Wave Transport and toggle between them to see how your mix stacks up. ![]() REFERENCE by Mastering The Mix makes it easy to compare your track with up to 10 reference mixes. That’s why it’s so important to find a few quality reference mixes to help guide you along the way. For instance, there can be a world of difference between pop-punk, death metal, and indie rock. When it comes to rock music, each sub-genre has its own unique style and sonic signature. Read on to learn what to listen for when adding EQ, compression, and saturation to your track, as well as how loud your final master should be. In this blog, we’ll share some of our favorite tips for mastering rock music, including different approaches for the most common rock sub-genres. We get a small commission for purchases made through these links, which helps run this site.Rock music has so many sub-genres, it can be difficult to know exactly what sort of sound you should shoot for, or which techniques to use while mastering. Note that this post contains paid affiliate links. If you want to discuss anything you’ve read here on my website, or saw on my youtube channel, or if you want to share images you’ve created using any of my techniques or presets, then I’ve started a new Facebook Group just for that. ![]() If you’d rather not use Patreon, but still want to say thanks or help, then you can feed my caffeine habit and buy me a coffee via PayPal with a one off donation to my PayPal tip jar. Check out my Patreon Page for more details, and a big thanks to everyone already supporting this blog on Patreon. There are a number of options available with different rewards, such as behind the scenes content, special Patreon only videos and more. If you like what you see here and you find this useful, then you can help support this blog and help me keep making great content like this by supporting me on Patreon for as little as $1 a month.
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